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I purchased the Master Suite version of CS and thought I'd try my hand at a project with PPCS5-it's been a looooooong time since being so irritated with such an unintuitive UI. I feel bad for others that must edit with PP.
#ADOBE PREMIERE PRO GARBAGE MATTE AFTER EFFECTS UPGRADE#
I know I'm late to the show.but, really?!? It's this hard to do a feathered garbage matte? I think I'll NOT upgrade OSX and keep using FCP 7.WOW, I must just be spoiled with so many years of ease of use. SO PLEASE GO AND MAKE THIS REQUEST!:DI mean c'mon, if it works on 'roughen edges'. (Edge Feather has already been taken'I call this a temporary solution because I'm pretty sure Adobe will fix this ONLY IF there is enough requests on the wishlist, that's how they work. Here's a temporary workaround (though not perfect) to do a quick feathering on most crops, mattes, and alphas:Apply your crop or garbage matteApply the 'roughen edges' effectSet the Border to desired width of the featherSet the Edge sharpness to 0 to give it the feathery softness.Set the Fractal influence to 0.Save this preset as Feather Edges.
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What a pain in the.Stephen SmithCheck out m圜heck out my. Programing Premiere to add a feather to a garbage matte really shouldn't be the hard.The alternative that you jokingly called 'so super simple' may just have to work. Sending it to AE could create over 100 AE project files. However, I'm cutting a 30 minute long video shot behind a white back ground and need to cut out the edge of the shot that isn't static.īeing able to add a feather to the mask will solve my problem real quick. ChrisI believe Adobe has basically ignored these types of features because of the insanely powerful dynamic-link to After Effects.I love the dynamic-link feature and I'm very familiar with After Effects. I'm a FCP refugee looking for a new place to land my feet. Chris and Ann, thanks for your help and quick reply. Set the matte to video track 2, and adjust the fast blur to your liking in the track 2 fast-blur effect.See, so super simple. However, one way I can think of: apply a fast blur to the garbage-matted footage, duplicate the footage and place it directly above in video track 2, remove all effects from the footage in track 1 and instead add a track-matte-key effect found in the keying folder. I believe Adobe has basically ignored these types of features because of the insanely powerful dynamic-link to After Effects.